Begin the Beguine - Max Beckmann

This object can be found in the FFW, Mezzanine level, Modern and Contemporary Gallery. Look around at the paintings on the wall until you spot this one. Now let's learn more about Max Beckmann. Click Here

Begin the Beguine

Due to copyright restrictions, access to this image is restricted to certain sizes outside the University of Michigan.
Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
Max Beckmann
1946
"Begin the Beguine" refers to a Cole Porter song (from the 1935 musical "Jubilee") that had become a popular big band standard in Artie Shaw's 1938 clarinet recording. The song's title can been seen at the lower left and the invocation of Cole Porter's sophistication stands in sharp contrast to the disturbing visual imagery within the composition. Distorted space, mutilated limbs, an acidic palette communicate Beckmann's ambivalence toward American culture as well as his attraction to cabaret.
Museum Purchase
1948/1.103